Jason Zhang

Warming up…

Composer / Software Engineer / Researcher

Jason
Zhang

Writing concert music and interactive systems that listen to each other — scores, signal processing, and the occasional line of Unreal Engine blueprint.

Music Technology Student at MIT — Cambridge, MA

Jason Zhang

About

Composer, pianist, programmer

Jason Zhang

Can a meme save the world? Can computers write 18th-century counterpoint?

These are the kinds of questions I return to in my creative process. My work explores the intersections of internet culture, humor, technology, and classical music. I'm interested in treating the internet as a form of digital folklore: a constantly evolving collection of stories, symbols, jokes, and rituals that reveal how people make sense of the world.

On the technical side, I'm interested in machine learning — particularly transformer architectures and their applications to generative music — and I'm increasingly drawn to signal processing. My paper from ISMIR 2023 is available here.

Musically, I'm folding more improvisation and live electronics into my work — Max, Hydra, p5.js — and getting more comfortable with synthesis and production. I write mostly for the concert stage, with recent commissions from Hub New Music, Hypercube, TEMPO Ensemble, Bergamot Quartet, Attacca Quartet, Nova Linea Musica Trio, and loadbang, and pieces written for Natalia Kazaryan and Gabriel Cabezas. At Michigan I worked with Jayce Ogren and the Contemporary Directions Ensemble, and Mike Roest with the University Philharmonia Orchestra. I'm currently writing for the Unheard-Of Ensemble and the Akropolis Quintet.

I'm a recent graduate of the University of Michigan, where I studied composition and computer science. My composition mentors were Bright Sheng, Michael Daugherty, Roshanne Etezady, and Evan Chambers; I studied piano with Matthew Bengtson and chamber music with Matt Albert. I will be starting my master's in music technology at MIT in the fall, advised by Paris Smaragdis.

Jason Zhang

Recognition includes an MTNA National Composition Award, a Fromm Foundation Composition Fellowship, the 2025 Carlos Surinach BMI Composer Award, and a feature on Score Follower. I've also written a few pieces for the Michigan Daily on concert-going.

View CV
Website
zhangjt1.github.io
Email
zhangjt [at] umich [dot] edu
School
MIT
University of Michigan
Degree
MASc Music Technology
BM Composition, BSE Computer Science

Other interests

Hiking Gardening Journalism Crosswords Traditional Chinese flutes Guitar Violin Dogs

Events

Upcoming performances

Jan 24, 2026
sputter‑stutter‑stuck‑spark
Musica Reginae, Queens, NYC

New piece for Hypercube. RSVP

Mar 28, 2026
like Clockwork, perpetuum
Swasey Chapel, Denison University, Columbus, OH

Attacca Quartet, part of the VAIL series. Tickets

Apr 19, 2026
Messages to Space
McIntosh Hall, University of Michigan

New piece for two violas, harpsichord, and fixed media, for Emmanuel's master recital.

May 27, 2026
God is in the Details
The CheckOut, Chicago, IL

New piece for the NLM Piano Trio. Tickets

Computer science

Selected projects

VR Cheating Simulator

Built in Unreal Engine 5.4.2 with blueprint-driven interactive logic; planned in Jira. Assets from freesound, Quixel, and Sketchfab.

Watch demo →

Ann Arbor Pokemon Go

Built in Unity 2022.3.50f1 with C# interactive logic; planned in Jira. Assets from freesound, the Unity Asset Store, and Sketchfab.

Watch demo →

Melody Grove

An interactive AR spatial-audio playground. Built in Unity with C#; sound composed in Logic Pro X; planned in Jira. Dev log →

Watch demo →

Hand Synth

A gestural synthesizer built with Max, FAUST, and Google's MediaPipe hand-tracking.

Watch demo →

Portfolio

Selected works

The Venice of My Mind

for chamber orchestra
Listen →

my body breaks, so I go to find replacements

for guitar and voice
Listen →

Between You and the Surface

for flute, clarinet, violin, and cello
Listen →

[De]structure

for saxophone, bassoon, piano, and percussion
Listen →

cute‑speak

for solo piano and tape
Listen →

Suspicious Certainty

for saxophone quartet
Listen →

Dollar Bidder Now!

for percussion quartet
Listen →

Bmpromptu

for solo bassoon
Listen →

memento

for cello and piano
Listen →

like Clockwork, perpetuum

for string quartet
Listen →

Be Not Afraid

for orchestra
Listen →

MUSIC FOR KIDS

for chamber ensemble and electronics
Listen →

Contact

Get in touch

For

Collaborations, commissions, and research conversations.